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THE SINGLE MONAD MODEL OF THE COSMOS:

Ibn al-Arabi's Concept of Time and Creation

by Mohamed Haj Yousef



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5.3. 'The Third Day' of Creation (al-thulatha , Tuesday):


And for the motion of Tuesday Ibn Arabi says that it was created from the divine Attribute 'Seeing' (basar): so there is no part of the world but that it is witnessing its Creator i.e., in relation to its own individual essence, not the Essence of its Creator [II.438.10], because the Essence of Allah, the Creator, may not be seen, He may only be seen through the manifestation of His Attributes (Names) throughout the Creation as we shall discuss in more detail in section V.5. Ibn Arabi then adds that:

The divine Name 'the All-Prevailing' (al-Qahir) was intent on bringing into being the third heaven (the fifth from earth); so He caused its (distinctive spiritual) reality to appear, along with its planet (Mars, al-marrikh) and its sphere, and He made it the dwelling for Aaron.... The existence of this planet and the motion of its sphere were in the lunar mansion Awwa (which is the thirteenth station of the twenty-eight moon stations) on Tuesday.... And from the motion of this sphere appeared the letter 'lam' ( )....

[II.445.8]



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I have no doubt that this is the most significant discovery in the history of mathematics, physics and philosophy, ever!

By revealing the mystery of the connection between discreteness and contintuity, this novel understanding of the complex (time-time) geometry, will cause a paradigm shift in our knowledge of the fundamental nature of the cosmos and its corporeal and incorporeal structures.

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Because He loves beauty, Allah invented the World with ultimate perfection, and since He is the All-Beautiful, He loved none but His own Essence. But He also liked to see Himself reflected outwardly, so He created (the entities of) the World according to the form of His own Beauty, and He looked at them, and He loved these confined forms. Hence, the Magnificent made the absolute beauty --routing in the whole World-- projected into confined beautiful patterns that may diverge in their relative degrees of brilliance and grace.
paraphrased from: Ibn al-Arabi [The Meccan Revelations: IV.269.18 - trans. Mohamed Haj Yousef]
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